Eastap

Eastap

European Association for the study of theatre and performance

EASTAP first conference in PARIS OCTOBER 25 – 27, 2018

  Nous avons le plaisir d’annoncer la tenue du premier Congrès de l’ EASTAP- European Association for the Study of Theatre and Performance : 25 – 26 – 27 OCTOBRE 2018 Théâtre…

 

Nous avons le plaisir d’annoncer la tenue du premier Congrès de l’ EASTAP- European Association for the Study of Theatre and Performance :

25 – 26 – 27 OCTOBRE 2018

Théâtre de la Cité Internationale
17, bd Jourdan
75014 Paris

Fondée en octobre 2017 à Paris, l’EASTAP se propose de rassembler chercheurs et artistes européens afin de favoriser et promouvoir les multiples méthodes et approches pratiquées en matière de recherche dans les disciplines du théâtre et de la performance en incluant les différents arts de la scène, notamment la danse, la marionnette et le cirque, l’opéra et toute autre forme d’art vivant.

Milo Rau sera l’artiste associé à ce premier grand événement

 


PROGRAM AND ABSTRACTS

 

  • 25 et 26 Octobre

    Rencontre et Masterclass avec Daria Deflorian et Antonio Taglarini

          Animé par Daniele Vianello

           Lieu : Théâtre  de la Cité, 17, Bd Jourdan, 75 014 Paris

           Salle : La Coupole

           Registration  is limited to 20 people.

           The masterclass will be mostly in French

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  • 26 October

    Masterclass with the Dramaturg Imanuel Schipper (Rimini Protokoll)

          16:00 – 18:00

           Lieu : Théâtre  de la Cité, 17, Bd Jourdan, 75 014 Paris

           Salle : La Coupole

           The masterclass will be mostly in English

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Observatoire critique / Critical Observatory
(Erica Magris)

Appel à participation – Date limite : 25 septembre 2018

Call for participation – Deadline : 25 september 2018

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Boiler Room (Mélanie Perrier)

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ORGANISATION 

Organizer : Josette Féral,  EASTAP President

Coordinators : Ariane Bourget

                                 François Bernier

Webmaster : Benoit Solbes

 

Scientific Committee :

Frédérique Ait-Touati, EHESS, Paris

Knut Ove Arntzen, University of Bergen, Norway, Dep. of linguistic, 
literary and Aesthetic Studies.

Isabelle Barbéris, CERILAC, Université Paris-Diderot

Clare Finburgh, Goldsmiths University of London

Flore Garcin-Marrou, LLA CREATIS, Université Toulouse Jean -Jaurès

Gabrielle Girot, LIRA, Université Sorbonne Nouvelle-Paris 3

Bérénice Hamidi-Kim, Passages XX-XXI/Institut Universitaire de France,  Lyon 2

Stefania Lodi Rizzini, LIRA, Université Sorbonne Nouvelle-Paris 3

Sophie Lucet, Laboratoire Théâtre Equipe Arts, Université Rennes 2

Frédéric Maurin, LIRA, Université Sorbonne Nouvelle-Paris 3

Daniele Vianello, Universita’ della Calabria

 

Partner Institutions : 

LIRA, Laboratoire International de Recherches en Arts, Université Sorbonne Nouvelle-Paris 3

Théâtre de la Cité Internationale

Théâtre de la Bastille

Odéon – Théâtre de l’Europe

Laboratoire Théâtre Equipe Arts : pratiques et poétiques, Université  Rennes 2

UQÀM

Université Paris 8

Université Paris – Nanterre

Université Paris – Diderot, CERILAC

Lyon 2, Passages XX-XXI

Equipe EsPAS, Institut ACTE, Université Paris 1 Panthéon-Sorbonne

LLA CREATIS, Université Toulouse Jean-Jaurès

 

Practical Information

Registration

 

Credit Photo : Wim Vandekeybus

 

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Cultural Mobility of Performance and Performativity Studies – Cracow 28-30 May 2018

Cultural Mobility of Performance and Performativity Studies Poland at Jagellonian University Cracow 28-30 of May 2018. The international conference “Cultural Mobility of Performance and Performativity Studies” will be held in Poland…

Cultural Mobility of Performance and Performativity Studies
Poland at Jagellonian University Cracow
28-30 of May 2018.

The international conference “Cultural Mobility of Performance and Performativity Studies” will be held in Poland at Jagellonian University (Cracow) the 28-30 of May 2018.

Download the call for papers (.doc)

In recent years we have witnessed a growing academic trend towards decentralizing the power of American universities as leading centers of performance studies. As new performance studies departments crop upall around the world and a new field of study known as “performativity studies” emerges, we would like to reflect on the processes of cultural mobility of notions, theories and methodologies developed in the study of performativity in diverse cultural contexts. We believe that sharing case studies from different countries would enable us to scrutinize specific translations, applications and hybrid connections that occur in performance and performativity studies in particular cultural contexts.

The main interest of our conference is how concepts and theories of performativity perform in local contexts (Are they applied selectively and to what ends?) and how they change or modify hitherto accepted academic disciplines (theatre studies, sociology, historiography, social sciences etc.). To what extent are the terms coined and used in specific English-speaking cultural contexts (performance, performativity, counterfactuality, situated knowledges, cultural scenarios, remains, re-enactment and more) operative in other contexts and how they hybridize with the terms already rooted in local languages?

Moreover, we’re interested in the process of positioning performance studies in new contexts. In what knowledge configurations (or university departments) do they emerge and what are the consequences of their position?

Finally, do performance studies allow for fundamental changes in academic vocabularies where traditional terms used in local contexts acquire new meanings and new vivid metaphors are imported?

Another question is the undisputed domination of English as the contemporary Latin which has become the main platform for the exchange of thoughts in present-day academia. To internationalize their research, scholars must model and adjust their propositions, findings and case studies in such a way that they are comprehensible to an English-speaking reader who – it should be stressed – may not necessarily be a native speaker of English. In this context, what is the gain-and-loss account of globalizing performance and performativity studies?


Call for Proposals below : download the call for papers (.doc)

Ewa Bal, Adjunct Professor

Performativity Studies Chair
Faculty of Polish,
Jagellonian University

Golebia street 16
31-007 Cracow
Poland

Email: ewabal1@wp.pl, ewa.bal@uj.edu.pl
Mobile: 0048 791626754

 

Photo Credit : Alain Patel, Tauberbach, 2014

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MILO RAU ARTISTE ASSOCIÉ / ASSOCIATE ARTIST for 2018

We are pleased to announce that Milo Rau is our guest artist for 2018 Milo RAU BIOGRAPHIE photo :IIPM/Thomas Muller

We are pleased to announce that Milo Rau is our guest artist for 2018

Milo RAU BIOGRAPHIE

photo :IIPM/Thomas Muller

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About EASTAP

The association is a place in which to develop the discipline as well as search for new paths. It will stimulate a more intense dialogue between theatre, performance scholars and artists…

The association is a place in which to develop the discipline as well as search for new paths. It will stimulate a more intense dialogue between theatre, performance scholars and artists across Europe.

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Meeting in Venice, Ex-com and task forces – 27 January Cini foundation 2018

Date: Saturday January 27th. Time: 9:30 am Place:  Giorgio Cini foundation on San Giorgio Island, VENICE Letter from Daniele Vianello, EASTAP vice-president  

Date: Saturday January 27th.
Time: 9:30 am
Place:  Giorgio Cini foundation on San Giorgio Island, VENICE

Letter from Daniele Vianello, EASTAP vice-president

 

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Meetings Minutes

General Meeting – October 7 2017 – Paris Minutes of the General Meeting Meeting Ex Com and Task Forces – January 27 2018 – Venice Minutes of the Venice Meeting

General Meeting – October 7 2017 – Paris

Minutes of the General Meeting

Meeting Ex Com and Task Forces – January 27 2018 – Venice

Minutes of the Venice Meeting

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